When beginners first decide to start playing the organ, they inevitably have a question: where to begin? Having an answer to this question is crucial to the advancement of an organist. Without a clear understanding of what are the strengths and weaknesses of any particular approach, it will be very difficult to succeed in developing one's technique. In this article, I will give you pros and cons of the beginning of organ playing with method books vs. repertoire.
Having a good organ method book, proceeding from the beginning and diligently following the instructions might save a lot of precious time.
You see, the author who writes a particular method book gives you not only very specific exercises to develop your organ technique, but usually a good method book is structured in a very graded manner - from easy to difficult exercises and compositions.
I understand that in many cases method books have long sections with dry unmusical exercises which are focused just on one particular element of organ technique, like pedal playing and the organist is supposed to complete them all. Organ pieces sometimes are only at the end of such method. For some people, this approach might be too boring.
Perhaps they could feel better about them if they had their goal , vision, or a dream in mind. For example, imagine that the organist wanted to play some piece that he or she always dreamed of, like the D Minor Toccata and Fugue by Bach or Toccata by Widor.
But this organist would understand that they are too complicated for a beginner and start studying organ from the method book first with this goal in mind. In fact, it is possible to use a mixed approach.
With this approach you would study exercises from the method book but integrate compositions from the repertoire of your level, too. Incidentally, the best method books available today integrate pieces within the exercises or construct the exercises out of the excerpts of the pieces.
In addition, such a book also has extensive details on early organ technique, registration, ornamentation, service playing, organ construction, and even on the new late 20th century techniques.
Another option would be to start playing the organ with very easy pieces from organ repertoire. However, be aware that you will need to figure out many details by yourself which otherwise would be included in the method book. These details include choice of fingering, pedaling, articulation, registration, ornamentation etc.
So you still probably would need to consult your teacher or a method book. Otherwise, your solutions might not be the best and the road to mastering these pieces would be too long.
In the end, I would say that it is possible to start playing the organ with any approach described here. Of course, the choice is yours but my recommendation would be to choose and practice wisely. Treat the pieces like the exercises, find and isolate the difficulties, practice them diligently and you will have no trouble in mastering any organ piece.
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